![]() Both these units have switchable bass roll-off but we’re a little disappointed that there’s still no phase switching. They are certainly impressive at this price point. The mic preamps have solid-sounding, low-noise circuitry with ample gain for most applications. ![]() Since the mic preamps and converters are identical, there is nothing to choose between the 610 and the 1616 in the sonic stakes. FCA610’s two phantom-powered MIDAS designed mic preamps, legendary the world over for their pristine clarity and high-headroom performance, plus our 24-Bit/96 kHz A/D-D/A. The boutique-quality FIREPOWER FCA610 is the ideal way to stream audio to and from your PC or Mac computer. Both the 610 and the 1616 have Kensington security lock ports. Conceived and designed by BEHRINGER Germany. The 1616 streams a pretty impressive 16 inputs and outputs, and a further eight microphone inputs and eight outputs can be added by linking a Behringer ADA8000 via ADAT. Behringer’s Firepower interfaces are designed for easy audio streaming with PC and Mac computers via USB or FireWire, and feature MIDAS-designed microphone preamps with 24-bit/96kHz A/D-D/A converters. It’s almost twice the width but you have the option of choosing to use it as a portable device or attaching the rackmount brackets for permanent installation. ![]() This time the digital formats include S/PDIF (coaxial and optical), ADAT and S/MUX. Each input channel also has unbalanced inserts, so you can patch in compressors, equalizers, etc, to process the signals before they’re digitally converted and sent to the DAW. The 1616 is more or less identical to the 610 but the number of inputs is doubled to eight, with four mic amps on the front panel.
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